Tag Archives: makeup

Wella stylevision 2016!



Recently, I was fortunate enough to do makeup for Ryan brown from joey scandizzo salons and his entry for the wella stylevision competition. I am pleased to announce that our work was shortlisted to the top 10 nationally and, as a result, we will be going through to the finals to recreate this look again and hopefully onwards to overseas if all goes well.
You can find Ryan’s amazing hair work herehere.

New shots from a recent shoot!

   
 
Shot in the polly cocktail lounge.

Photography by Camilo Mateus, model is Jaquillyn Mariah, styling by styled by Pariss, hair and makeup by MOLOTOV pigtails hairstyling and makeup. 

The beauty industry is for “dumb” people.

So a lot of people seem to think that the beauty industry is for “dumb” people who “couldn’t do anything else with their lives”.
I ask those people if they’ve actually thought about what these jobs entail for a moment.
You need an understanding of biology to understand the structure of the skin, hair, nails etc and the proteins that they’re made out of and what substances will or won’t harm them. You need to understand what will or won’t blind or burn or irritate somebody before you put it on their body. You also need to know what that rash, lump or redness means and if it’s a contaminant that will effect your other clients… Much like a nurse.
You need an understanding of chemistry to understand which chemicals are irritants, how their properties effect the absorption of other compounds and which products will cause reactions amongst each other than can be harmful or helpful. You need to mix dangerous chemicals (especially in hairdressing and beauty) and know how to apply them to someone else’s body without seriously injuring them AND make it have a cosmetic effect.
You need an understanding of colour, both to enhance and to hide different physical afflictions on someone’s body. What will add something more beautiful and what will hide tiredness, a rash, a bruise, acne. What will make someone’s skin look less stressed and more youthful. What will suit different skin tones. What will hide age or illness.
You need an understanding of shapes and symmetry that will rival an architect or an engineer. How to make an optical illusion with things that are part of a physical body and hide perceived flaws to accentuate perceived goodness. You need to be precise with angles to make sure you do this properly… A millimetre is the difference between success and failure.
You need an understanding of psychology. Why someone wants to look a certain way, why someone is hesitant to change their appearance (and often identity or race) or embrace it. You need to understand how to read body language from a stranger and make sure they’re comfortable and listen to stories that you normally wouldn’t hear from someone you’ve just met.
You need to understand business. People will do anything to convince you that your work is worthless when you work eight to ten hour days on your feet. How to price yourself based on both time and materials and travel.
You need to be strong. You’re on your feet while people sit in an office, your arms will ache from having them up at someone else’s face or hair for hours of the day. Your back will be screaming after contorting yourself uncomfortably and your feet will be in agony most of your waking hours.
It’s not an easy job. It’s not a glamorous job either as you spend most of your day touching other people’s bodies and bodily fluids, oils and hair. It’s actually quite gross sometimes, but it is rewarding.
My question for you if, after all this, you still seem to think it’s a job for people of lesser intelligence: why do you allow people who you think are stupid to put things on your skin or eyes or trust them with scissors and volatile chemicals.

“Brows on fleek”- why today’s negative criticism of makeup is blocking our creative process in the makeup world.

  
Every day, at least one Facebook friend will share or be tagged in a meme like this and make some derogatory comment. Every day, I respect that person less as a result of that behaviour.

I’m a makeup artist, I run a beauty blog and I actually run lessons to teach people from all walks of life how to apply makeup. I could teach you fifty different ways to contour, to fill in your brows or overdraw your lips whilst covering any areas that you may perceive as flaws… But there’s a difference between educating somebody and bullying strangers on the Internet.

  
The Internet is unforgiving of perceived mistakes and flaws in others, this will be made apparent the moment you read YouTube comments. However, there seems to be an alarming rise in the amount of women and men who become ridiculed at a viral level because of a “basic contour” or “sharpie brows” or whatever people feel like picking apart from that person’s appearance at any given time.

This is not a vapid industry, this is an artistic industry. There is a science to each formula and how it works and a science behind how each colour and placement and texture can create an optical illusion or hide our battle scars, our tiredness or our need to embrace positive change on an outer level whilst we work towards the same on an inner one. It does take a scientist to figure out how to make something safe for your eyes or that will make your hair shiny. 

I believe educating others on how to achieve a technique they find challenging and to provide constructive criticism when it is wanted and asked for, but I’m disgusted with the public tarring and feathering that has been happening since contouring became a “thing” in the mainstream media and to consumers. Here’s a few reasons why you shouldn’t grab the torches and pitchforks when you see makeup you perceive as being “bad” in some way:
1. Everyone starts somewhere.

We are all learning ways to better ourselves and our daily routines as we go through our lives. Some people find it easier than others to learn with different mediums. Where your strengths may lie in making yourself over, other people have their own strengths that you may struggle with. Some people have different face shapes and skin tones to what is perceived as normal and some people have finally found the courage to try something new. Look at your pictures from high school and tell me you’re not cringing. If you’re in high school now, look at your parents wedding photos or candid pictures from holidays. See my point? Good. Sit down.

2. There is more than one way to look or feel attractive or have a sense of self worth.

We are not all cut from the same cloth, nor should we be. Enough said. We develop new techniques and formulas and trends based on the fact that we are diverse as a species and all strive for different things. We cannot progress if we are complacent with the status quo or if we never rock the boat… And how boring would that be?

3. Makeup has never been made to fulfil a singular purpose.

Makeup is a medium like any other. It can be used to turn people into monsters, to porcelain dolls, to caricatures or to a version of ourselves that we feel projects our inner selves. We have prosthetics and special effects makeup that we use for costumes and film, we have makeup designed specifically to hide roseacea, acne or scars. We have makeup to imitate or to hide tattoos, injuries or different shapes and textures on our bodies. It is a field that should be played with and embraced if you want to and left alone if you choose to. There is no law stating that we need to use it in a particular way except any instructions made by manufacturers for safety reasons (ie. Not tested for use with eyes). Don’t rob people of their artistic freedom.

4. How other people choose to present themselves is none of your business unless they make it your business.

Repeat it. 

And again.

Keep repeating this.
If someone wishes to learn, give them the gift of your knowledge or skills. If they don’t want your advice, it’s not yours to give.
5. A makeup artist will always find flaw with your own makeup, no matter how great you think it looks.

If it would hurt you to have a professional cut down the precious time and money you’ve spent on your own face (which we can do in an objective way), don’t do it to others. Don’t be a jerk, it hurts people’s feelings. You don’t get a gold star for getting the kylie Jenner look down quicker than the people around you. For every judgement you make about how someone looks “bad”, someone somewhere is judging you for being mean spirited and vapid.

6. Fashion changes.

Like most things in life, fashion is in a constant state of flux. The things that people covet now will not be relevant in fie years, let alone later in your life. Work towards feeling good about yourself now and being a decent human being, this is something that will stay with you for the rest of your life when the current look you’re aiming for has been irrelevant for a long time, possibly forgotten entirely.

So please, can we try to do no more of this:  

 
And more praise for each other in general. It’s makeup. It washes off. We will all look back at this current trend with a sense of nostalgia and embarrassment, just like every other era.

Behind the scenes photo diary of today’s shoot

Today I was doing hair and makeup for a student of the Melbourne institute of fashion. For something a little different, I’m going to show you a behind the scenes look at my day.
  
I travelled very light today as it was a single hair and makeup look and I only ever pack the tools I need. 

    
 The makeup look was meant to be very clean and glamorous with a bold lip and the hair was a loose wave with a nod to old Hollywood.  

  
I curled all the hair with a wide barrelled tong and pinned up the curls while they were warm to keep the curls in place and then started on the makeup.

  
While we were shooting in a bar on Brunswick st, the preparation was done at the Melbourne fashion institute. The view was amazing and i was very grateful to have good natural light to use for once.

  
Then we travelled to the shoot location. My client had booked out the lovely polly cocktail bar on Brunswick st. After setting up the equipment, it was Showtime.

  
Throughout the course of a shoot, there’s lots of fiddling involved to touch up the clothing and makeup for each look and to make sure it looks fresh.
Today was a lot of fun and I’ll be looking forward to seeing the finished product soon. Hope you guys enjoyed my little photo diary of today’s hard work.

  

The last year in a single shot

Photographer in all five shots is Kynan O’meara

Samantha Morrison is the model in the featured image, with hairstyling, wardrobe styling and makeup by MOLOTOV PIGTAILS hairstyling and makeup.

Models appearing on the bottom (left to right):

Annika lammers (styled by hair self, hair and makeup by MOLOTOV PIGTAILS)

Dylan peck

Laura Kinross and Laura Rose, with wardrobe styling and accessories by Michelle Chorny from Pokkerdot Lane.

Yana martens. Hairpiece by lady petrova.
Please follow me on Instagram for more regular updates: @molotovpigtails

Also, find me on Facebook

I’ll endeavour to update this blog more regularly now that I have a little more time on my hands.

The greatest compilation of highlighters you can poke a stick at

Whether you’re into contouring, strobing or just really like having high looking cheekbones without the label, you probably love highlighters.

If you don’t love them, why not!? Highlighters are a great way to take the edge off a very matte foundation, draw attention to your best features and give a nice glow without the Edward Cullen look. Unless you’re into that.

I’ve compiled a list of highlighters from every brand I’ve used to give you a comprehensive guide on buying the right one for you.
MAC cosmetics.

  

MAC mineralize skinfinish in soft and gentle.

Good old soft and gentle is good for most fair skinned girls and most darker skin girls too. It has a beautiful golden peach tone and adds a lot of shine for cheekbones that can cut through steel without building up for half an hour. If you’re especially fair, I would use the lightscapade highlighter instead, but most people will be fine with this product.

  
MAC Cream colour base in shell.

I love cream products, but often find myself disappointed with their staying power, their blendability or the amount of pigment in them. I have had no issues with the MAC cream bases at all, which is kind of rare (and kind of amazing) for a range of cream products. Great amount of pigment, easy to blend, easy to build- just pat it on with your fingertips- and with a gorgeous liquid metal colour with tones of pink and gold. It’s the stylist little sister of NARS Laguna who got a bit of a tan. It also suits almost anyone because it’s not too light or dark and it gives off a beautiful wet look if you build it. My only warning is not to use on the T-zone if you’re oily or combination.
Urban Decay

  

Urban Decay NAKED flushed palette.

Ok. So technically this isn’t just a highlighter, but it has a highlight in it so bear with me.

I was gifted this palette by a friend before the Naked palettes were available in Australia and I was so, so excited. I find the entire palette has a good colour payoff and you don’t need to build any of the shades up to notice them. The powders blend easily and suit most tones, but I’m quite fair and olive and I found the pink tone a little overwhelming as it was a half a shade darker than my skin when I tried it. Unfortunately, it met an unfortunate demise when it met my tiled bathroom floor, so I can’t try it again to see what it looks like. It was amazing to use on shoots, though. Bonus points for convenience, but like all of the urban decay NAKED palettes, it’s very dusty and brittle and it chips (or breaks) easily so take care.
Laura Mercier

  

 Matte radiance baked highlight 01.

I’m working with this product a lot at the moment and it is the most user friendly highlight on the market at the moment. Shiny and pearlescent without being metallic looking, naturally radiant for fair to medium skin (don’t worry, darker skinned beauties, the next item on the list will be your best friend). This baked powder will last until only the cockroaches and whatever Donald trump is using to hide his lack of hair remain, you only need a small amount. Being a baked powder, it’s very soft and blend able but definitely not dusty or messy to use. It has a white gold tone to it that looks like you’re being illuminated by angelic light. There is good reason this is a cult product but, unfortunately, it can often be hard to track down in Australia so you may need to be patient.

  
Indiscretion highlight.

Part of the Summer in Ibiza collection for the 2015 summer (or Australian winter). This is a champagne or rose gold coloured powder that has more of a gleam than its Highlight 01 counterpart. It adds a slight bronze glow without looking dirty or dark on fairer skin and it looks absolutely gorgeous on dark skin. This is the highlight that suits everyone, plus it has beautiful packaging and it stays in that gorgeous rippled shape even after you’ve been using it for a couple of weeks. Sadly, this is a limited edition product so you’ll need to catch the next shipments to reach Australia before they’re gone for good. Thankfully, this product will last you years and years because you need so little to get a good result.
Illamasqua

  

Illasmaqua gleam in Aurora.

This is probably one of the easiest cream products to blend. The downside is that, unfortunately, you need to really build it up in order to get a good highlight. It works beautifully with a dewy foundation, but looks strange with any mattes because it is so luminous. I would liken the consistency to lip balm or body butter, it feels hydrating but it needs a lot of coaxing to work well on full coverage foundations without accidentally removing part of your base. That being said, it looks gorgeous on the skin when it is applied correctly and Illamasqua always endeavour to be cruelty free with their products, which makes them a worthy brand to support.
Bobbi Brown

  

Bobbi Brown shimmer brick in beige.

Technically, Bobbi brown don’t do highlighters as they don’t encourage contouring the face until you resemble a Kardashian. However, this product is what all the Bobbi artists are using to add definition to cheekbones, the bridge of the nose, etc. 

This colour is my favourite of the range as it suits most skin tones as a highlighter, but the Rose or Nectar variations may work better for you, so be sure to check it out. The colour payoff is very subtle like your skin has been airbrushed or like you’ve just got very, very good selfie lighting happening on your face at all times. It’s a good natural glow for someone who doesn’t want to committ to a more obvious glow and it’s a godsend for people who are a little more oil prone and don’t want to resemble a disco ball.
Napoleon Perdis

  

The ultimate contour palette.

The thing with Napoleon Perdis products is that they’re extremely hit and miss. They have some absolutely beautiful products, then a few that just leave me scratching my head and wondering why they decided to make something so sub par and price it at the higher end of the spectrum. This is not one of those products. Yes, it’s a contouring palette, but it is an absolute delight to use. Nicely pigmented, blend able, build able and with colours that suit the average Australian makeup consumer. Definitely worth a try if you want a lovely all in one.
NARS

  

NARS multiple in Laguna.

NARS have their cult colours in various formats, but I find their multiple sticks the most versatile and user friendly. NARS highlighters are kind of like Joan Crawford’s character in Mommie Dearest; they look appealing on the outside, but they’re actually cold, harsh and don’t love you in the way you only hoped, yet they’re still highly coveted.

The orgasm multiple is too pink and dark for a variety of people, yet Laguna is such an icy shade of silvery white that you’d be hard pressed to wear it without resembling an android. I love using them because, as I mentioned, they’re easy to use and clients love the brand, but I keep using them and instantly wishing I hadn’t because that bitter disappointment I feel when I realise I need to apply something over the top to get the perfect colour just isn’t worth it.

What’s in my bathroom

So today for something a little different, I’m going to tell you all the products I use on a regular basis. I don’t like shameless plugs for particular brands, but I also use a variety of products for my skin, hair and makeup that vary depending on season, the condition of my hair/skin and depending on where I’m working at the time.

I think there’s a real problem that people have with product loyalty. There are so many fantastic brands out there, but each usually has one or two strong points. It’s always better to experiment and find a variety of things that work for you. Ask any makeup artist (when they’re not behind a counter and forced to promote the brand they work for), and they’ll rattle off a list of several brands and products that work for them.

Hair care

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At the moment, I’m big on using Redken products. My hair has taken a beating this year due to a lot of bleaching and colouring, so I’m alternating between the diamond oil range and the extreme shampoo and conditioner (for added protein). I find that Joico’s KPAK range can be quite drying, but a lot of people swear by it.

Post bleach, I always follow with a hayashi “emergency 911” protein treatment, which I mix with a few drops of Argan oil. It’s a godsend for damaged hair.
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My favourite toning shampoo is by NAK, it contains Argan oil and it’s quite nourishing and I buy it in a big pack with a toning leave in conditioner.

When my hair is a vibrant colour, I like to use Shiseido “Tsubaki Shining” products as coloured hair can be quite dull and lustreless.

I love Argan oil to add shine and softness post styling and I also do DIY coconut oil treatments once every month when my hair is especially dry, frizzy or damaged. It works wonders and it’s cheaper than any store bought treatment.

Skin
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I keep alternating between the Clinique 3 step and the Kiehl’s non detergent foaming cleanser followed by a Mario badescu oil free moisturiser in the summer or if it’s especially humid.

Although my skin is quite dry, I’m probe to breakout due to sensitivity so I avoid fragranced skincare or any moisturisers with an SPF.

Occasionally, I’ll use a few drops of Estée Lauder advanced night repair serum before bed in the cooler months or if I’ve dried out my skin by going to the beach. I rarely have any at home, so it’s really up to when Estée Lauder are giving out samples (ha!)

Makeup

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I always use a primer before my foundation. My favourites are the Smashbox photo finish primer (the colour correcting one), primed and poreless or a cheap face of Australia primer that I pick up at Priceline… It’s surprisingly moisturising to the skin and gives a great finish to the fuller coverage foundations.

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My current favourite foundation is Illamasqua Skinbase. Perfect medium coverage, a nice flawless finish and perfect for autumn and spring when you need a balance in products.

In the winter months, I gravitate towards MAC studiofix, which I blend with the Napoleon Perdis “beauty boosting balm” to get a nice dewy finish. They work so well together that it’s actually ridiculous.

On nights out, I wear studiofix alone for the fuller coverage.

In the summer, I wear Clinique super balanced foundation or their anti blemish solutions foundation as they’re nice and light and don’t make my face feel disgusting when I get sweaty.

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My good friend Holly gave me the “by terry hyaluronic blush” for my birthday last year (in blushberry, a nice cool pink) and I adore this product. It’s really blendable, highly pigmented (a little goes a LONG way) and has an amazing finish.

I also love the Illamasqua cream blush in “rude” and MAC blush in “peaches” and “pink moon”.

I use a Kryolan concealer wheel, illamasqua gleam in “aurora” or MAC “soft and gentle” as a highlighter (depending on how dark my skin is at the time).

I set my base with Kryolan translucent powder, as I do with all my clients.

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My favourite lipsticks are the NARS semi mattes and Napoleon Perdis matte-tastic lipsticks (above). I only use Napoleon, MAC, Kryolan or rimmel lip pencils.

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For eyeshadows, I stick mainly to Kryolan and Inglot because of the great colour payoff, affordable price tag and the convenience of the large palettes. I also but individual shadows from MAC and a few other brands if it’s an especially interesting colour.

I almost exclusively use gel liner and usually go between Napoleon Perdis or Kryolan because they’re quite soft and easy to apply and blend and also quite affordable. I like Napoleon, MAC and Stila kohl pencils as they’re the perfect consistency and don’t end up all over your face if it’s hot outside.

As far as brows go, I alternate between Bobbi Brown pencils and the smashbox brow crayons (they come with a clear gel and it’s AWESOME). For a more graphic brow or when my hair is dark, I’ll use a dark brown shadow with an angle brush.

Fragrance

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I only wear four fragrances: Estée Lauder “beyond paradise” (above) and Marc Jacobs “Lola” in the summer; Thierry Mugler “angel” and Jean Paul Gaultier “classique” in the winter.

So thats it. A boring list of what a pro makeup artist uses on a daily basis to look, feel and smell nice.

What are your favourite makeup/skincare/hair products? What do you think I should add to my routine?

4 Popular Makeup Hangups You Need to Get Rid Of

As I continue to reiterate in my posts, I have a real distaste for misinformation being provided to people about beauty, makeup and skincare. Most magazines and blogs seem to spurt the same few tips, ideas and how-to guides every few months… the problem with this is that some of the advice that is given to the public is not necessarily true (or at least not to everyone) and the makeup wearing public become afraid of using techniques that might actually be helpful for the look they’re trying to achieve or may be more flattering to them than the path most trodden.

I think it’s important to break down these tips that people follow that are actually doing them a disservice, so here are a few of the “pearldrops of wisdom” that my clients swear by, and are surprised by how great they look by breaking these rules.

1. You can only focus on eye makeup or lips, not both.

This is the number one most common “rule” that I keep hearing from customers and clients.

“Oh no, I can’t wear bright lipstick and have a smokey eye- I’ll look like a drag queen” is pretty much word for word what I hear. Here’s a quick newsflash for you: yes, you can. 

You can wear a shade of lipstick that isn’t a “nude” shade with smudgey eyeliner and glamorous dark eye makeup. You can wear red lipstick with a black smokey eye. You can add more liner and some false lashes with a deep plum lip. This concept that it’s somehow “balancing” to only have one focal point is nonsense. If you really like dark mysterious eyes and nude lips, that’s awesome. If you really like bold pop lips and nothing but mascara on the eyes, that’s fine too. If you wish you could wear both, stop wishing and do it. Who doesn’t want their whole face to look great, not just one feature??

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From my own portfolio. Model: Erica Rose.

See in the above photo how the girl pictured doesn’t look like a drag queen? Notice how she still looks glamorous and not like she’s been shot in the face with Homer Simpson’s infamous makeup gun? It’s about balance. Not the balance that the beauty editor in some teen magazine told you about to sell magazines and perpetuate myths, actual balance.

If you want to have intense eyes and intense lips, you need to match the intensity between both. Choose colours that work well together instead of clashing- blue eyeshadow and coral lipstick looks garish and definitely over the top, but a brown/black smokey and a deep shade of plum or red does not. The reason being that you’ve picked a colour scheme for the whole face, nothing clashes, nothing tries to compete.

Here’s how you can pull this off:
– Pick eye and lip colours together and see that they complement eachother
– When applying your makeup, take breaks and look at your face as a whole and not just the feature you’re applying makeup to
– You only look as stupid as you feel. If you want to clash colours and don’t give a damn, you’ll look great. People will compliment you on being able to pull off such a daring look. If you look embarrassed, people will point out ways you could have done better- rude and embarrassing.

2. Brows need to be pencilled in darker or completely re-shaped to look good

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Look at this picture of Miranda Kerr and hang your head in shame.

In fact, look at any runway beauty shots. Unless you stumble upon the Chanel statement brows from the last few seasons or an especially colourful collection by Galliano, most models, actresses, etc keep their brows looking pretty natural. They’re not pencilled in darker than they usually are, they’re not shaped to be perfect Marilyn Monroe shaped brows, they keep them the way they are.

Celebrities are meant to look like themselves, having an interesting mole on your face or straight brows instead of curved ones adds to their appeal. If it’s good enough for them, it’s good enough for you. Filling in lightly with a shadow the same colour as your actual eyebrows will show off your natural shape and keep brows from looking sparse or unruly.

Here’s how to live without a brow pencil:
 Fill them in with an angle brush and eyeshadow
– If you absolutely must use a pencil, pick one shade lighter than you think you’ll need
– Small, light-handed strokes will prevent you from looking like Malibu Barbie
– They’re seriously just eyebrows. They are literally pieces of hair that grow on your head, considering how much hair women actually remove from their bodies, it seems ridiculous to rave about 2 small patches of hair that sit above our eyes.

3. People with smaller lips should wear nude lipgloss (and not dark lipstick)

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Notice how Dita Von Teese doesn’t have lips like a cod fish? She wears red lipstick every day without over drawing them to oblivion. Again, part of this comes under the “you only look as stupid as you feel” speech I made earlier, but realistically, if you’re filling in your lips correctly and lining them correctly, your lips will look no larger or smaller than they normally do.

I personally have tiny little lips like a cat’s bum. However, I over draw my lips just slightly. With a nude lip, it’s hard to actually see the genius correcting I do on my lip shape to give them a more Marilyn like appeal, but the second I’ve got a nice red, a deep plum or even black and the liner contrasts obviously against my face, my lips look huuuuuge in comparison to how they normally look. A lot of clients literally assume that I just have perfect lips (which I don’t)

Here’s how to wear whatever damn shade of lipstick you want:
 Find the colour that you want
– Fill in lips with liner to keep a cleaner colour and a longer lasting result
– Apply lipstick with your preferred method.
– Check your teeth a thousand times with a touch of paranoia
– With the same lip pencil you used earlier, draw in the shape of your lip line. Do this with your mouth closed once you’ve finished that precarious spot on the sides of your mouth where one wrong move means a clown face. The reason you should do this with your mouth closed is that you’ll get a more natural result and it’s easier to see if your lip shape is even on both sides. Symmetrical lips look fuller.

4. False eyelashes are for strippers and drag queens and look totally fake.

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Katy Perry in her recent Eyelure ads

Katy Perry is pretty rad looking, so I can understand your confusion here, but bear with me. She wears out there outfits, not out there makeup. Her makeup is surprisingly demure for someone who shoots whipped cream from her boobs on stage. False eyelashes, when chosen and applied properly, will not instantly make you look like an extra from a B-grade porno. They won’t transform you into RuPaul if you weren’t already wearing drag makeup. They will, however, open up the eye a lot and make you look awake and alluring and super feminine.

Here’s how to overcome your fear of glueing foreign objects dangerously close to your eyes:
– Pick the right kind of lashes for the occasion. If you find strip lashes easier (most people do) then find some which have the hairs spaced out instead of compacted very tightly.
– Pick lashes which are not all completely the same length. These always look fake.
– Lashes which are soft and moveable will always look more fluttery and siren-like than rock hard, too-shiney ones cut into bizarre geometric shapes. These are the cheap party wigs of the false eyelash world- great for costume parties but not for convincing anyone that you’re just actually a complete fox.
– Go with your bad self and wear whatever the hell you want on your face.